HOWEVER!! – and this is a big note – Changing the Roles in the Timeline does NOT affect final output only playback in the Timeline. Since Dialogue is the default clip setting, this mutes all Timeline clips EXCEPT the stereo mix that I just assigned to the new Final Mix Role. This mutes all Dialogue clips in the Timeline. Unchecking a Role disables all clips that are assigned to that Role. Now, in the Timeline Index, click the Roles text button at the top and the two audio Roles are displayed. There are several ways to do this, I find the easiest is to right-click the clip itself and choose Assign Audio Roles, then choose the Final Mix Role. Then, I assign this new Role to the stereo mix.
![record audio final cut pro record audio final cut pro](https://images.sftcdn.net/images/t_app-cover-l,f_auto/p/c6947758-96d8-11e6-bdfc-00163ed833e7/1460015544/adobe-premiere-pro-screenshot.png)
So, I choose Modify > Edit Roles, from the menu bar, and create a new Audio Role called “Final Mix” (There’s no magic in the name, you can call a Role anything.) This new Role joins the default Roles of Dialogue, Effects and Music. (Because Final Cut does not support mono audio output, I create all final mixes in Audition as stereo pairs, even though I convert them during compression to mono to save space.)īecause I have the final stereo mix, I don’t want to hear the source clips however, I don’t want to lose them, either. The final stereo mix is output as a single stereo pair from Audition, then imported into FCP X. Because I never want to lose the source audio, nor do I want to run the risk of it going out of sync, it is still attached to the video clips. The source audio – including all voice overs – is gray, while the final stereo mix is orange. Here’s a typical example of a finished webinar, ready for export. Roles are involved when I import the final mix back into FCP X, then output the finished master file from Final Cut. Output the final mix with finished video.Import the stereo mix back into Final Cut without losing the source clip audio.
![record audio final cut pro record audio final cut pro](https://embed-ssl.wistia.com/deliveries/31b5dda786b16b9f59625ffea81845d4b2d78fda.jpg)
Output a stereo master mix from Audition.
![record audio final cut pro record audio final cut pro](https://images.prismic.io/accusonus-blog/bb019beb-0c22-4bfd-a84e-7e4c44d0897c_Underwater.png)
#Record audio final cut pro pro#
![record audio final cut pro record audio final cut pro](https://image.slidesharecdn.com/finalcutprox-10-140216095803-phpapp01/95/manual-usuario-final-cut-x-pro-22-638.jpg)
The defaults allow you to import clips, add effects and music, adjust levels, then output a finished project for YouTube. (We could call these “metadata,” which they are, but it is easier to think of them simply as ways of labeling our clips.)Īt the simplest level, you don’t need to know anything about Roles to successfully edit and output a project. Roles and subroles allow you to group clips to simplify organization and mixing. Let me show you how you can use them, even for simple projects.ĭefinition: Roles and subroles are labels which you can apply to audio or video clips. However, I’ve been using them every week for the last year or two and find them indispensable to editing and releasing my weekly webinar. When I was first introduced to Roles, I found them very confusing especially because I was so used to more traditional tracks and buses. While I’ve written about Roles before, see the list of related tutorials at the end of this article, in this article I illustrate how I use Roles every week as part of my webinar workflow. Roles allow us to group audio clips in Apple Final Cut Pro X without using buses or tracks.